Its 14 songs, all titled with brief concepts such as "FEEL.", "LOYALTY.", and "DNA.", explore dualities within both the soul and American society. wraps its focus inward, tight and layered, like a bundle of rubber bands. If that album was like billiard balls scattering after the break, then DAMN. is a stark contrast to the funky exuberance on Lamar's much-lauded To Pimp a Butterfly from 2015: There, he seemed to revel in a torrent of creative intensity that some found exhilarating, others indulgent. is redolent with Biblical references, the temperament is decidedly Old Testament, filled with cold wrath and righteous punishments owing to the wages of sin and the blood of innocents. Lamar isn't a Christian rapper in the conventional sense - his songs aren't in explicit exaltation of His glory - and though DAMN. on Good Friday, a day meant to mark the death of the righteous at the hands of tyrants. It's no coincidence that Lamar decided to release DAMN. The shared message from both artists is that violent ends can arrive unexpectedly, especially if you're young, black and male. This seems to be a tradition amongst Los Angeles rappers: Lamar's most obvious predecessor, Ice Cube, rapped about dying at least three times on his first two albums. opens with Kendrick Lamar narrating his own shooting death at the hands of a blind assailant.
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